20 June 2010

Published! Newspapers & Online.


Published in national newspaper Metro on 17.06.10 :

Online Versions:



The University of Southampton Homepage:
The university (which Winchester School of Art is part of) has just changed their homepage to feature my work:

With an article about my work following on from this:


The university used my work as the face of the whole degree show 2010 at Winchester School of Art (University of Southampton), which was consequently published in two local newspapers (as well as national newspaper Metro) due to the "striking nature" of the images:






17 June 2010

Self-Image Visualisation.







Dense glowing red light amongst deep darkness draws attention to areas of great self-consciousness, as my personal body-image worries are physically relayed onto a model's body. Light is used to play with how the minds of women, including myself, often find themselves obsessively agonising over whether others are gawking at their supposedly imperfect body parts. 


Exhibition in Shoreditch, London:





Behind the scenes:



More from the shoot:





jade@jadedavies.co.uk

[Concept/Photography/Art Direction/Production by Jade Davies; Lighting by John Spence; Model - Kayt Webster-Brown.]

15 June 2010

Behind The Scenes of 'Emotionalisation'.

A few photos I took throughout the process of creating this body of work.

Transportation of the heads. Can I check your bags please?

Separating 5000 assorted-colour pins into 6+ colours...during which I lost a few more marbles.

Me performing what looks like surgery on the model, Roisin.

The lovely Roisin, about half-way through the process.


Emotionalisation.





The human face constantly conveys emotional information through facial expressions, providing an often unconscious window into the vast array of human emotions. Consequently, personal emotional data collected over pre-determined time slots throughout one day is visualised using the human face as the canvas to display the data. The almost sadistic concept of using pins to plot data onto the face invites the viewer to question whether a painful procedure has been inflicted upon the model, particularly when these images are viewed alongside their 3D counterparts of polystyrene heads adorned with pins. Due to the unpredictable and unquantifiable nature of human emotion, the points/pins are plotted in accordance with a sense of where the emotion was felt most in relation to the face; and they are not restricted by a set number of points. Additionally, colour identifies the different core emotions and the depth at which the pins enter the skin describes the intensity of the emotion.


Photos of my work in the Degree Show at Winchester School of Art:




More from the shoot:







jade@jadedavies.co.uk

[Concept/Photography/Art Direction/Production by Jade Davies; Lighting by John Spence; Model - Roisin Grasby.]

14 June 2010

Beginning.

"If at first, the idea is not absurd, then there is no hope for it."

Albert Einstein



This blog will be predominantly used to display my work in a different way to my website - giving you a 'behind the scenes' look at the process behind the final image. Inspiration, musings and more quotes may find their way here too.